Joan Didion
Six a.m. & I was the only soul in the English Building.
I wore blue socks and walked around.
Stretching my hands high above my head,
I thought about Joan Didion
who lived in tropical places, was born
in California, wrote about the hippies, smoked
a little, ate white fish, was chic, had a husband,
somehow was a little ironic about that, wrote
coldly about red-hot things. I love that bitch,
I said to Fiona who was reading Slouching Towards
Bethlehem. Who wouldn’t want to be a cool writer:
black shift dress, ink stains, house in Brentwood.
Time keeps taking me from California, where I’m
sure I belong in the long shrug of palm trees
or at the beach or empty headed or happy or
rained on. Who said the coldest winter they ever
spent was in San Fransisco? When I visited in high school,
my dad took me to the Italian neighborhood,
we had chicken parm, oily eggplant, walked around in shorts,
saw people swimming outdoors in November.
The hills were beautiful. You couldn’t talk walking up them.
Just breathing. My dad and I put our hands on our knees.
And then at the top like we’d be talking the whole time:
Could you believe that red sauce? Or the fish at the table over,
those real eyes. I remember sitting on a park bench
and smelling white flowers. My heart felt like the needle on a record player.
Pink houses, an irrepressibly rainy bike ride. I told my dad I could be a writer
there, under a green awning or at a crumby chartreuse table in Berkeley
with weak sun. I could drink green tea here. Maybe I’d be as cool
as Joan fucking Didion. Life is a window seat for women like her.
I just read her book on grief which ended with a sentence about God
being dead. God was dead, said Joan Didion, because childhood was dead
because war was horrifying and everyone had long hair in San Fransisco.
Reviews said: Brilliant. Reviews said: Cold. I suspect she never felt anything,
she just collected. It was her way. Her husband died, protesters disappeared,
she wrote a packing list. She wrote what was on her plate. A list of names
in her Rolodex. Reading her writing is like a medical professional saying:
name three things you can touch, three things you can see, three things
you can smell. When I read her writing I smell: eucalyptus; I taste: branzino;
I see: girls in corduroy pants sitting in a park. Why? All Joan Didion asks
is why. All her books do is say: God is dead. There is no why. Somehow,
You keep living. You keep looking. All day, I thought I was going to throw up.
Horror is the least of what you owe the suffering. The least. I keep living;
I keep looking. I see: inedible mauve cherries on a stark white side walk.
I see: a flyer stuck in a tree. I see someone catatonic on a bench. Look.
I understand a little of death because it moves over me in portent clouds;
I see the wind because a girl walks by
and her hair softly dances.